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Wednesday, May 1, 2013

The Culture of Love and Tolerance


Pakhtuns are unique for many reasons.  One of the distinctive attributes of Pakhtuns is that they form the biggest tribal population in the present time. Though the tribal structure of Pakhtuns is fast losing it distinctive aroma and some of the tribal traditions have been distorted to the extent that they have lost their originality, still the Pakhtun tribal structure is one of the main pillars which could explain a Pakhtun identity. Normally Pakhtuns proudly associate themselves with tribes, sub-tribes and clans. They take pride in their tribal and national heroes. They love the land where they live and a big piece of Pashto literature is about patriotism and nationalism.

The archetypal Pakhtuns way of life was simple and egalitarian where all the members of a family were supposed to work. Historically Pakhtuns had been living a nomadic life in Afghanistan and they had settled in their present homeland after several migrations. Where there was agriculture, men and women would jointly work in the fields. Even still today Pakhtun women have been contributing to family income by engaging themselves in cottage industry. The family structure enjoys a considerable matriarchy and older women have greater say in family matters. In the past women used to form Jarga—the traditional forum for the settlement of disputes—but the practices is now extinct. In time of tribal disputes and wars women would assist men in the battle fields.

The Pakhtuns follow a strictest code of life called Pakhtunwali. Besides some regional variations, this code is practiced in almost all Pakhtun areas to a certain degree. This code is a combination of secular customs and traditions whose values are dear to every Pakhtun. Some of the tenets of Pakhtunwali are bravery, hospitality, loyalty, asylum and justice etc.

Pashto Tapa is one of the rarest literary and poetic genres. Most of the Tapas are orally transmitted and they form the core of Pashto folklore. A significant thing about Tapas is that they are mostly put together by women. Those who always find fault with the Pakhtuns way of life should revisit their thinking and study Pashto Tapa for the degree of freedom of expression a Pashtun culture allow to women. The study of Tapa tells us that the internal fabric of Pashtun Culture is feminine, sensitive and considerably of higher aesthetic value. The themes of Tapa are diverse and cover almost all aspect of Pakhtuns life. The style is so simple and fluent that ordinary men and women can create more Tapas while talking or singing. Majority of these Tapas are about love—love for one’s beloved or alternatively love for the motherland.

The Pakhtuns share a good taste for poetry. Almost all Pakhtuns enjoy poetry and majority of them could create their own poetry. Mushaeras or poetry events have remained major events in the Pakhtun social and cultural life. Every area has its own poets and some of these poets have their poetry collections published. Common themes of Pashto poetry are diverse such as love, patriotism, morality, secular values, longing for peace, hero-worship, and Islam etc. A refined taste for poetry and the diverse poetic themes and genres is a testimony to the fact that Pakhtuns’ worldview is broader unlike the many labels and stereotypes which have been formed by the foreigners about them from time to time. The rich poetic traditions among Pakhtuns tell us about the scholarly aspect of their life which has remained thirsty for more knowledge and learning.
(To be continued)

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